Mar 1: IN COURT: the beggar Sarah Good, the sickly Sarah Osborne, & the slave Tituba

Today in Salem: the village has turned out in full force to goggle at the slave Tituba, sickly Sarah Osborne, and the beggar Sarah Good, clustered in the middle of the meeting house. The tavern owner’s wife has already examined the accused women for witch’s marks, but hasn’t found any. Now it’s the judges’ turn to look for evidence.

When they’re not staring at the accused witches, the crowd is gaping at the four afflicted girls. Little Betty Parris hides behind her tomboy cousin Abigail Williams, both of them breathing hard through tears. The girls’ leader Ann Putnam stands at the front of the group, gasping and wringing her hands. The servant Elizabeth Hubbard stands back, holding her neck with both hands and choking as if she’s being strangled.

The crowd quiets as the two magistrates intone the opening prayers. Then the Sheriff takes the slave Tituba and the sickly Sarah Osborne out, leaving the beggar Sarah Good behind, her baby in her arms, and her pipe clenched firmly between her teeth.

The aggressive magistrate John Hathorne attacks first. What evil spirit is Good familiar with? None! Have you made a contract with the Devil? No! Why do you hurt these children? I scorn it! The quieter magistrate Jonathan Corwin watches carefully as the girls insist that Sarah’s specter is lunging at them this very minute. But when her own husband tells the judges that she is an enemy to all good, it’s over. The magistrates send Sarah with her baby to stay with a relative, who is a constable and can keep her and her baby under lock and key.

When the sickly Sarah Osborne is ushered in she denies being a witch. But yes, she did have a nightmare once about a black Indian who grabbed her by the hair. And yes, she’d once heard a voice telling her not to go to church. The judges squint. Couldn’t the Devil be the nightmare Indian? And couldn’t the voice she was hearing actually be his? Unlike the beggar’s husband, Sarah Osborne’s husband testifies that she’s telling the truth. The judges aren’t sure, though, and releasing her is risky. So they send her to jail to wait for a trial.

The slave Tituba confronts the same questions and denies all evil-doing, but the judges’ eyes narrow when she pauses. Perhaps remembering yesterday’s beating, she changes course and spills out a partial confession. Actually she did see the Devil, she says in her exotic accent, and four witches, too. And yes, she admits that she agreed to join the witches, but then she changed her mind. And yes, she has hurt the children, but only because the Devil man threatened her.

Judge Hathorne leans in and begins rapid-firing questions. Who were the other witches? She doesn’t know two of them, but the other two are the beggar Sarah Good and the sickly Sarah Osborne. She pauses, and suddenly the details pour out. She’d seen them around a hog, a black dog, also a red cat and a black cat, plus a yellow bird, she says, with two imps warming themselves by the fire in the parsonage last night. She gives detailed accounts of the witches’ clothing and the Devil man’s appearance, and finally, in the face of the non-stop questions, closes her eyes and says she is suddenly blind, and then mute, and then chokes and gasps just like the afflicted girls. Then, recovering her voice, she says the specters of the two Sarahs are attacking her. Tituba has confessed, so the judges send her to jail to await trial and sentencing.


LEARN MORE: Is a magistrate the same thing as a judge?
In a way, yes, but a magistrate is lower level, a lay judge who deals with minor offenses. They may also hold preliminary hearings for more serious offenses that will later go to trial.

In Salem, the magistrates were local politicians and/or respected merchants. They usually dealt with minor charges like drunkenness. For the Salem Witchcraft Trials, they held examinations, or hearings, for people accused of witchcraft to decide whether a more former trial should take place. If the magistrate decided there was enough evidence to suggest guilt, the accused person would go to jail until a grand jury could convene for a trial.


WHO was magistrate Jonathan Corwin?
Jonathan Corwin — Age 51. Magistrate. Corwin was a wealthy merchant who was elected to the colonial assembly twice, and was an active magistrate of the local courts, hearing cases dealing with petty crimes and minor charges such as drunkenness and burglary. With his friend and fellow judge John hathore, he presided over many of the initial hearings for the witchcraft trials and was relentless in seeking confessions.

Corwin’s personal life was hardly peaceful. Four of his children had recently died when he called the first witchcraft hearing into order, and another had nearly drowned. One of his other children was said to have been afflicted by one of the accused women. Later his mother-in-law would be accused of witchcraft, though she was never arrested.

Corwin never expressed regret or remorse for his role in the trials, and died 26 years later a wealthy and respected man. His house is still standing and is known today as the Witch House. Case files: Jonathan Corwin

WHO was magistrate John Hathorne?
Age 51. Magistrate. Hathorne began his business career as a bookkeeper, but quickly moved to land speculation. Eventually he acquired a ship, a wharf, and a liquor license, and made enough money to build a mansion in Salem Town, plus a warehouse near the wharf.

Hathorne had served the Salem community as a judge for about five years when the trials began. He was fierce in his questioning, always assuming the accused person was guilty and that the afflicted girls were truthful. It was a perfect example of “guilty until proven innocent.”

Hathorne was thought to be an aggressive and even cruel judge, and showed no introspection or remorse after the trials ended. Some of his descendants were ashamed of their connection to him, including his great-great-grandson Nathaniel Hawthorne, who added a W to his name before writing “House of the Seven Gables.” Case files: John Hathorne


Tomorrow in Salem: On the run: the beggar Sarah Good